I managed to pick up one of the tube maps today with her interpretation of it on the front.
There's a good article about it here.
If you can't make your mind up about Emin, I definitely recommend you read Strangeland. It really changed my mind about her (this was pre-Tory discovery) and made me be more forgiving about her art work, which even now with my bubbling resentment of her, I can't help but love, particularly her sketches, textile work and light installations.
Also, on her entry on the Feminist Art Base, where all artists have to write a statement about their relationship with feminism, she says: When I had my interview for art school in 1983, one of their questions was: “What do you think of Feminism?” My answer at the time: “I don’t.” By that I meant that I didn’t think about Feminism. Of course that’s changed a lot now. I often think about feminism, in an everyday way and in an historic way. But to be honest, being a woman has never stopped me from doing anything I wanted to do. Apart from fuck a man really hard up the arse. I’ve never had penis envy, but I’ve often wondered what it must be like. I know that just having a penis definitely affects your wage packet, but I’m not bitter and twisted. I’m grateful to all the women that work so hard to enable women like me to have a voice. And I’m still shouting.
Which I think is so typical of her, it's very aware, very paradoxical and very exposed. Still not sure I think Tory values can really coexist with feminism, since the crux of feminism is about removing hierarchy and power, but it's still an interesting statement.
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